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In this Pete Smith Specialty comedic short, we see various ways a wife may unintentionally hold her husband back.

Louise faces the facts about Phineas.

A Documentary chronicling the travels of a team of reporters and crew across America in a hand painted RV. Each of the reporters have a disability ranging from Down's Syndrome to spastic cerebal palsy and their own style for gathering news. The basic approach is "man on the street" reporting and the interactions are sometimes hysterical, sometimes confusing but always honest.

Comedy about the generation gap. Featuring three generations of Edwards. The rascally grandfather Ted, father Eddie (Michael Robbins, the star of the series,and his drop out son Edward. Eddie is caught in the middle, able to comprehend neither his father nor his son, although the two of them get along together perfectly well. And there's more friction because Eddie also does not understand his wife Doreen and his daughter Christine.

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American-born Jayne Valseca, her husband Eduardo, the son of a legendary Mexican newspaper publisher, and their two children live an idyllic life on their 1,000 acre ranch outside of a peaceful Mexico town. But in the summer of 2007, their peaceful life is turned into a real-life nightmare when Eduardo is ambushed and kidnapped by strangers. With kidnapping becoming a pervasive and lucrative business in Mexico, Jayne is at the mercy of the kidnappers when they demand millions for the husband's safe release. She's pushed to the limit to do everything she possibly can to raise the money necessary to bring Eduardo back alive. As Eduardo is starved and tortured, he looses hope of ever seeing his family again but despite the dire and bleak times, Jayne refuses to give up and decides to turn the tables on the kidnappers and makes demands of her own. The film is based on a true story from the book, We Have Your Husband: One Woman's Terrifying Story of a Kidnapping in Mexico.

A woman meets her lover's wife and offers to buy him.

Author Nancy Crampton-Brophy often writes stories about female protagonists who fantasize about killing their own husbands. In a shocking and ironic turn of events, Brophy faces accusations of doing the same thing in real life.

“Quit working as a nurse!” “All right, I will!” thus began the married life of Yasuo and Keiko. But the reality is harsh. Keiko even had to work on the first night after her marriage. Ten years later, the married couple is still at it. Yauso tends to the house and their children, while Keiko sacrifices family life for life as an overworked nurse. One day, after Keiko comes home utterly exhausted and dejected from her work, Yasuo makes up his mind and writes a letter of resignation in her place. Upon learning of this, Keiko angrily declares that nursing is what she lives for and she will keep on working. Realising that that is one battle he will never win, Yasuo sends a letter to a newspaper -- “Nurses’ husbands, aren’t you having a hard time? Get together nurses’ husbands. Contact me.” There is a tremendous response. This leads to the formation of many unions of nurses’ husbands throughout the country.